I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
I received this as a prize at school when I was fifteen and passages like this spoke to me: “...you wanted the words they'd known and used, forgotten in the far‑off youngness of their lives, Scots words to tell to your heart, how they wrung it and held it.” My Ayrshire community spoke Scots so it was life changing to read this message by an author from a different time and a different place who was intensely relevant to my own situation. Being discouraged or even punished for speaking Scots in school, led us to learn English pretty quickly and this bi-lingual tension gave us an advantage learning other languages like French and German which I studied at University. But I will always be grateful to Sunset Song for making me aware of how important the Scots language was to our identity as Scots: “And the next minute that passed from you, you were English, back to the English words so sharp and clean and true ‑ for a while, for a while, till they slid so smooth from your throat you knew they could never say anything that was worth the saying at all.”
'Left me scorched' Ali Smith 'Unforgettable' Guardian
Faced with a choice between a harsh farming life and the world of books and learning, Chris Guthrie chooses to remain in her rural community, bound by her intense love of the land. But everything changes with the arrival of the First World War and Chris finds her land altered beyond recognition.
One of the greatest and most heartbreaking love stories ever told,, Sunset Song offers a powerful portrait of a land and people in turmoil.
The various Scots dictionaries produced by Scottish Language Dictionaries and also available online are a veritable treasure trove of Scottish culture and the go-to place for anyone who writes Scots or wants to know about Scots. With quotations going back hundreds of years it gives you instant access to the rich literature and prose in a language still spoken by over 1.5 million Scots.
What do you call a paper bag in Scots? How would you describe a dull day in Scots? This comprehensive dictionary of words and phrases is for all who want to use the Scots language. * A unique dictionary, with 15,000 English-Scots entries * Many examples showing Scots in use * Clear layout, easily understood entries
This is a great anthology of contemporary Scots writing ranging from more classical Scots like my own short story Inrush at Nummer Fower to racy urban Scots like Irvine Welsh’s A Soft Touch. I love it because it showed me that our language is vital, contemporary, and alive today as well as being a brilliant historic literary language. It was like a revelation to me, and it stayed with me too.
I first discovered the author of Trainspotting in this book. James is also a brilliant Scots writer and shows that in novels like The Fanatic and The Land Lay Still. He and Matthew Fitt, also a fine poet and novelist in Scots, also produced the imprint Itchy Coo which has published excellent children's books in Scots, some from new authors, others with Scots translations of famous European collectors of Fairy Tales such as Hans Christian Andersen and the Brothers Grimm. Braw stuff tae read tae the weans an granweans.
This anthology brings together 28 stories by living writers, from traditional folktales to stories dealing with domestic violence and poverty. The book's introduction defines Scots in the widest possible terms, and argues that this anthology is a sign of the vigour of the language.
Another fine novel by a great writer who, like me, hailed from Ayrshire. I quote from it in my book. I became aware of William McIlvanney when I attended Kilmarnock Academy between 1967 and 1969 and his first novel Remedy is None was passed around the students in their final year at the school, before heading for University. Having a living, breathing novelist living in the town was really something, and it made us all think that perhaps we could become writers too! All of his books are excellent but Docherty touched me personally because it describes a mining community, similar to the town I grew up in, Galston. It also explores the linguistic tension between Scots and English which is the experience of most people growing up in the Lowlands of Scotland.
'His face made a fist at the world. The twined remnant of umbilicus projected vulnerably. Hands, feet and prick. He had come equipped for the job.'
Newborn Conn Docherty, raw as a fresh wound, lies between his parents in their tenement room, with no birthright but a life's labour in the pits of his small town. But the world is changing, and, lying next to him, Conn's father Tam has decided that his son's life will be different from his own.
Gritty, dark and tender, McIlvanney's Docherty is a modern classic.
I want to reveal to people the superb achievement of the medieval Scots Makars who produced arguably the greatest poetry anywhere in Europe or Britain between roughly 1450 to 1550. John Barbour, William Dunbar, Robert Henryson, Gavin Douglas, and Sir David Lyndsay are the greatest of them but there are more excellent exponents of Scots in this, one of its golden ages, and they are all represented here. I quote many of them in my book.
This anthology is intended to answer the need for a large-scale anthology of early Scottish Literature, which is felt particularly acutely in the academic field. It has been designed as a teaching text suitable for use by students and at advanced level in schools. Longer works are either presented complete - e.g. James I, 'Kingis Quair'; or by sections which sum up the main themes and concerns of the text - e.g Barbour's 'Bruce' Book I. There are full critical and linguistic introductions; brief biographical and bibliographic introductions for each author or subsection; the texts have all been re-edited; every…
Scots: The MitherTongue is a classic of contemporary Scottish culture. It is a passionately written history of how the Scots came to speak the way they do and acted as a catalyst for radical changes in attitude towards the language. Kay vigorously renews the social, cultural, and political debate on Scotland's linguistic future, and argues convincingly for the necessity to retain Scots for the nation to hold on to its intrinsic values. Language is central to people's existence, and this vivid account celebrates the survival of Scots in its dialects, literature, and song. The newspaper Scotland on Sunday chose Scots: The Mither Tongueas one of the best 100 Scottish books ever written.
A small town in the grips of evil... a single mom with nowhere to turn... and a madman who will stop at nothing to get what he wants.
He is the Collector, and he's taking prized possessions, pets, and children, keeping what he wants, and burying his rejects in shallow graves. When he comes after Rachel Logan, an ordinary schoolteacher living on a ranch with her grandmother and her two children, she has no weapon except her wits.
But how can she stop a monster who outdoes Hannibal Lecter in cunning and depravity?
A small town in the grips of evil... a single mom with nowhere to turn... and a madman who will stop at nothing to get what he wants.
He is the Collector, and he's taking prized possessions, pets, and children, keeping what he wants, and burying his rejects in shallow graves. When he comes after Rachel Logan, an ordinary schoolteacher living on a ranch with her grandmother and her two children, she has no weapon except her wits.
But how can she stop a monster who outdoes Hannibal Lecter in cunning and depravity?
